![]() A good “What is it?” is the coin of the realm. Because one great sentence can pitch your project, hook a reader, and open the right door.Īs Blake Snyder writes in Save the Cat!®: If you’ve tried to write them, you know: sometimes it feels nearly impossible to distill an entire movie into one pithy sentence. They strike fear in the hearts of writers. There must be better places in the world.Loglines. ![]() On the contrary, attracting the attention of others, he loudly protests against this artificial life. But the Hero does not want to put up with what is happening. The environment is intended to mitigate the feeling of claustrophobia that occurs at the cloisters of the underground complex. The atmosphere of retro-futurism, combining the idyll of the 50s with the technologies of the late 20th century. This is a tiny cheap copy of Los Angeles with an artificial climate and artificial trees. Several thousand people are crammed into an underground shelter. It can be seen that the carriage managed to drive only a few meters along the gray wall.There is a voice: "Due to technical problems, the morning show is canceled". Suddenly, the image gets lost, the passengers remain in the dark. The hero describes his omens (red golf car, a girl in a yellow storm) before they come into view. Pastoral landscape flashes outside the window. Freud argued: id a fish is in your dream wait for something bad. He retells a dream to a friend: he fishes on the river, catches a fish. He is 20 with a little, pleasant-looking, lively. Everyone except the Hero reads the LA Times. The set is reminiscent to modern Los Angeles. ![]() In the logline to the film this moment is put out of the brackets.Īs an example here is a part of the treatment for the film "Fallout": According to the plot of the film "The Karate Kid", the hero is beaten by members of the criminal gang, as he begins to make friends with the former girlfriend of the gang leader. Initially, you can write a logline longer and only then squeeze it. Here you should be as concise as possible, not over weighing the text with unnecessary details. In logline there can be antagonistic power - an obstacle to the achievement of the goal set by the hero. If the author does not yet know the key goal, then you need to mark for yourself the climax of the scenario where the hero reaches the target or fails.Īn obstacle. The best options are "fight," "try," "fight," "strive," etc., because they represent the purpose of the story and indicate the dramatic events. Logline conveys the development of the story, so you need to carefully choose the words-engines. From the logline to "The Karate Kid" it is clear that the hero's goal is to learn the art of martial arts in order to confront criminals. The goal can be both physical and psychological. The goal is an essential element of logline. Let's take a closer look at what "logline" and "synopsis" are in order to understand how to write them in better way. If the requirements refer to the number of characters, not sentences, the characters of the English text should be counted. Translated into English, the amount of text is reduced. When making several variants of a synopsis of various sizes, you need to keep in mind that the number of characters of the same text in English and Russian is different. Supposing that the organisation committee knows that they want to select 15 works for the competition and for the presentation of each is devoted half of the page, where you need to place both the synopsis, the shot from the film and information about the director and the crew. It is very important to follow these requirements, since each festival publishes its own catalogues and other materials dedicated to the project, where it places information about films. When it comes to 100 characters, logline will stand for a synopsis. In some cases, the number of characters may increase up to 1000. As a rule, selectors ask you to fit in 6–7 sentences (about 300 characters). Practically all international festivals require a synopsis in English. ![]()
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